Those of us who have long been engaged in Palestine justice activism cannot help but notice glaring double-standards in these denunciations of the various deals with devils. And at this critical point in the history of the Arab world, we must request that our readers begin to “connect the dots” throughout the region. Is entertaining dictators a lesser crime than normalizing Israeli apartheid?

Why hold artists accountable for performing at the behest of tyrants, and let them off the hook for whitewashing Israel’s regime which engages in massive human rights abuses, all subsidized by the United States government?

Why not call out Beyonce, Usher, Mariah Carey, and so many other artists, all of whom have performed in Israel, a state which practices a form of apartheid worse than anything the South African apartheid government had ever done? In 1973, the United Nations General Assembly defined the crime of Apartheid as “inhuman acts committed for the purpose of establishing and maintaining domination by one racial group of persons over any other racial group of persons and systematically oppressing them.” As Israel’s official policy privileges Jewish nationals over non-Jewish citizens, creating de facto and de jure discrimination against the indigenous Palestinian people, it is hard to dispute that this supposed “democracy” is in reality an apartheid state.

Many of the discriminatory measures Israel practices today were unthought of in apartheid South Africa. In his powerful essay, “Apartheid in the Holy Land,” penned shortly after his return from a visit to the West Bank, Archbishop Desmond Tutu wrote: “I’ve been very deeply distressed in my visit to the Holy Land; it reminded me so much of what happened to us black people in South Africa” (“Apartheid in the Holy Land,” The Guardian, 29 April 2002).

In 2009, a comprehensive study by South Africa’s Human Sciences Research Council confirmed that Israel is practicing both colonialism and apartheid in the occupied Palestinian territories...


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